Monthly Archives: September 2012

Body Hack XV: Using Hydrogen Peroxide And Baking Soda To Whiten Teeth

This is just a simple trick on how to clean one’s teeth less expensively than using the stuff you might have to buy at the pharmacy. With only two basic ingredients, you can learn how to whiten your teeth.

From Instructables.com …

The basis of homemade toothpaste is baking soda and hydrogen peroxide.  Either one in huge doses can be dangerous, so DO NOT INGEST!

Sodium bicarbonate (baking soda) is a mild abrasive and has anti-bacterial properties.

Hydrogen peroxide helps by break down bacterial films with its foaming action.  I used a 3% solution, but anything you can find at a local drug store should be ok.

Vegetable-base glycerin liquid lends a nice consistency and sweetness, but is completely optional.   You should be able to find this at a drug store, or specialty foods shop, but I got mine online from a soap-supply store.

I definitely recommend using some kind of flavoring.  It’s totally optional, but adding a drop of peppermint oil will leave your mouth feeling super fresh.  Tea tree oil boosts the anti-bacterial properties and tastes good.  A few drops of cinnamon oil (my favorite!) will definitely spice things up.  Food-grade grape or bubble gum flavor oil may entice your kids to brush more regularly – just be sure to supervise them and make sure they’re not ingesting it!

Basic Ratio:

6 parts baking soda : 1 part vegetable based glycerin : 1 part hydrogen peroxide solution : flavor to taste

This makes a nice paste.  To make a smoother mix, reduce the soda.  To omit the glycerin, increase the peroxide.

Most over the counter hydrogen peroxide solutions are not suitable for ingestion.  Make sure to use supervision with children.


In addition to this post, I also wanted to tell the reader what is probably the simplest, cheapest form of toothpaste that I have ever known. From source 2

In this article,  Dr. Stone gave a recipe to help alkalize the teeth using a natural approach rather than using the mouthwashes you find in the store which are full of artificial colors and chemicals  made up in a lab.

See below for a TWO ingredient recipe! It’s so easy, I could pinch myself!

SALT WATER MOUTH WASH and TOOTH CLEANER!

One pound of uncooked sea salt added to one gallon of distilled water. This is the best mouth wash and tooth cleaner (to brush your teeth with). You do not want to use IODIZED salt as it is cooked and stripped of anything beneficial and is very harmful to the body. CELTIC SEA SALT is a good one to get! Celtic Sea Salt is an unrefined sea salt and it is light grey in color.Amazon.com sells this kind of salt. OR you can do a search on the internet and find another source. You can get distilled  water from the good old grocery store for really cheap if you do not  have a distiller.

Have fun making your own mouth wash and tooth cleaner!

Body Hack XIII: Using Circular Breathing Method To Produce A Continuous Tone Without Interruption

The Circular Breathing Method is a technique I have been aware of from being familiar with certain breathing patterns. It is mainly used by people who play wind instruments.

From the wikipedia article on the Circular Breathing Method HERE


Circular breathing is a technique used by players of some wind instruments to produce a continuous tone without interruption. This is accomplished by breathing in through the nose while simultaneously pushing air out through the mouth using air stored in the cheeks.

Method

The person inhales fully and begins to exhale and blow. When the lungs are nearly empty, the last volume of air is blown into the mouth, and the cheeks are inflated with this air. Then, while still blowing this last bit of air out by squeezing the cheeks, the person must very quickly fill the lungs by inhaling through the nose prior to running out of the air in the mouth. If done correctly, by the time the air in the mouth is nearly exhausted the person can begin to exhale from the lungs once more, ready to repeat the process again. Essentially, circular breathing bridges the gap between breaths. The air stored in your cheeks is used as an extra air reserve to play with while you sneak in a breath through your nose.

From the woodwind.org website HERE

Circular Breathing
A Method
by
Dr. Robert S. Spring, DMA
Professor of Music
Arizona State University
Robert.Spring@asu.edu
http://www.asu.edu/cfa/music/
 Circular breathing is a technique that enables the wind instrumentalist to maintain a sound for long periods of time by inhaling through the nose while maintaining air flow through the instrument, using the cheeks as “bellows”. The procedure involves four distinct stages:

  1. As the performer begins to run low on air, the cheeks are puffed.
  2. Air from the cheeks is pushed with the cheek muscles through the instrument and used to maintain the sound while inhalation occurs through the nose.
  3. As the air decreases in the cheeks and sufficient air is brought into the lungs through the nose, the soft palate closes and air is again used from the lungs.
  4. The cheeks are brought back to their normal embouchure position.

The process of “switching” from air in the lungs to air in the cheeks and back again is the single factor that keeps many individuals from succeeding at circular breathing. There are many methods to teach this “feeling”. The following is one method used to learn this technique as well as several exercises that I feel particularly helpful. As in any new technique, circular breathing must be practiced on a daily basis for success. In addition is is very important to begin work with the instrument as soon as possible during study. Exercises are important, but are not helpful if the student cannot achieve the desired result with the instrument.

Preliminary study is done in 8 steps:

  1. Puff the cheeks and breath normally with the cheeks out. This will aid in the “feel” of breathing with the cheeks extended.
  1. Again puff the cheeks and create a small aperture in the lips, letting air escape through the lips while inhaling and exhaling normally through the nose. By controlling the muscles in the cheeks, try to maintain an air stream for three to five seconds.
  1. Place a straw in a glass of water and repeat step two with the straw in the water. Sufficient air should be used to force air from the staw to create bubbles in the water. This step should be repeated many times until the process feels somewhat natural.
  1. While the air is being forced from the cheeks, inhale quickly and deeply through the nose. While the cheeks are still slightly puffed, begin to exhale through the mouth and empty the lungs. Try to keep the air stream and bubbles as constant and even as possible. Repeat several times.
  1. Repeat step four but do not empty the lungs. As the lungs begin to empty again puff the cheeks, inhale quickly and deeply through the nose. After a small amount of air has been inhaled, close the soft palate and “switch back” to air used from the lungs. Repeat several times. This is the process that is used while circular breathing.
  1. Place only the mouthpiece and barrel into the mouth. Practice holding a pitch as steady as possible by alternating a normal embouchure with an embouchure with the cheeks puffed. The student will notice the firmness necessary in the corners of the mouth and support needed from the upper lip area.
  1. Repeat steps four and five with the mouthpiece and barrel only inserted in the mouth. The student is likely to squeak quite a bit during these first few attempts. The student will probably notice a “bump” in the sound while changing from the sound produced by the air in the cheeks to the sound produced by the air in the lungs. This is natural. Exercises later will try to eliminate or smooth this bumb as much as possible for each individual.
  1. The remainder of the instrument should now be added. It is important to begin using the entire clarinet as soon as possible. The student should not be as concerned with getting a great sound as long as one that is usable is attained.

The following exercise proves very useful in beginning circular breathing study. It is important to remember that this technique does take time to develop. Most performers takes several months of study prior to any public performance attempt.

The most workable register is the upper chalameaux. It is also easier to mask the bump in the sound if your breath during passages of moving notes. The student is encouraged to compose other similar exercises.

The upper clarion register is the most difficult for circular breathing. Motion of the soft tissue in the mouth and throat that is involved during inhalation through the nose causes a scoop in the pitch that is very difficult to control. During the early stages of study, G on the top of the staff is the upper limit for successful circular breathing. Articulation is also difficult while circular breathing and should not be attempted until the student is very comfortable slurring.

Body Hack XII: Using the Cobra Breath Kundalini Pranayana To Increase Energy And Vitality

From Inner-Tranquility.Com

The Cobra Breath is one of the most powerful tools for spiritual awakening on the planet. Originally transmitted by the Mahavatar Babaji, Cobra Breath is an advanced, powerful Kriya method for transmuting primal energy that can lead to Cosmic Consciousness and Self Realization in one lifetime.  It has been said by Kriya masters that a million disease-free years are needed to evolve a human mind capable of experiencing Cosmic Consciousness.  Cobra Breath practice enables one to move at a greatly accelerated pace as one repetition of the Cobra Breath is equal to one year of spiritual practice.

Cobra Breath Kundalini

The Cobra Breath is an esoteric, sacred tradition only transmitted orally from teacher to student  through direct lineage from Babaji.   The true Cobra Breath has never been written down or recorded. When receiving Cobra Breath, it is important to be properly prepared and have an appreciation of this gift when being initiated. Cobra Breath is a powerful method for quickly opening Ajna (the third eye).   As this center is awakened, you become able to perceive reality as it really is (through witness consciousness), rather than our usual manner (maya.)

Witness consciousness is the ability to maintain our center in the midst of emotional upheaval and is essential to any advanced practice of Kundalini.  Witness helps us see beyond the unconscious beliefs, early childhood patterning, judgments, and trauma, to the Divine within all of us. This brings light to our dark aspects speeding our spiritual development.

The Cobra Breath pulls Shakti energy into the secret Kriya Channel, charging the spine with energy and changing the electro-magnetic properties of the cerebro-spinal fluid, allowing Kundalini to move up the spine and activate the third eye. The nervous system is transformed and you awaken to higher consciousness.

Prerequisites / Guidelines
Now, I want to be clear here. Cobra Breath is not for everyone, certainly it is not for beginners. I have seen a lot of grief and drama occur in persons not authentically prepared for this high level practice. What you are unwilling to transform within your subconscious will be reinforced by any true Kundalini technique. The Taoists sometimes call this “circling the midplane.” You have to be ready to let go of that which no longer serves your higher interest. The readiness of any given individual has to be assessed by a teacher in person. Here are some general guidelines:

– Transmute your Karmic patterning
Karmic Patterns are old habits based on early childhood and adolescent trauma and imprinting. We accrue these patterns from our parents and family, persons we associate with in life, even birth trauma itself. Karma burning is best accomplished through deep meditation with a guru and, to some extent, through body centered psychotherapy such as Bioenergetics. Truly understanding and transmuting the held energies of of our Inner Child is essential. This requirement alone eliminates the vast majority of people.

– Become Self-Responsible
Most people never do this. We prefer to see ourselves as helpless victims of circumstance and the actions of others. “You hurt me” “that thing you did made me so angry”; these “you” statements are an attempt to project responsibility onto others, thereby avoiding the hard work necessary to empower ourselves to take responsibility for our thoughts and emotions. If we blame others, we can never own our emotions and master our Self.

– Be Present
We live in anticipation of the future while repressing aspects of our past that we don’t like. We shuttle back and forth between past and future, robbing ourselves of our life and re-creating old patterns of being. As Einstein once said, “Insanity is doing the same thing over and over again and expecting a different result.” Allowing our thoughts to travel indiscriminately between past and future is the scam we use to avoid doing our spiritual work and thereby staying in our dysfunctional comfort zone. True creation and spiritual evolution occur only in the moment.

There are many practices that can achieve the above goals. However, not all spiritual roads have the same speed limit. Given that the practitioner is authentic in their sadhana, the pace of awakening will depend on the level of consciousness of the individual, efficacy of the technique(s), outside cultural and interpersonal influences, and the amount of time invested. Some preparatory rules of thumb:

Hatha Yoga: at least 3 years of daily practice, 1 hour or more per day. Some Masters require 12 years. Hatha yoga alone is not enough, one must be able to enter into deep states of meditation while staying totally present. Breathwork is also essential.

Tantric Qigong / T’ai Chi: 1- 3 years of non-martial oriented practice, along with meditation.Bioenergetic analysis and Breath work can be very helpful when done in conjunction with this training.

Kundalini Yoga / Chakra Yoga: most forms now taught in the West require several years of training and daily practice. This practice is not well grounded, so one needs to master some T’ai Chi,Tantric Qigong, and Bioenergetics.

Contraindications
As I stated above, most people are not going to be ready for Cobra Breath in this lifetime. Even some who are teaching Cobra Breath have not fully prepared themselves, and thus pass on their kundalini-energized dysfunctions to their students. I have observed many astounding examples of this occurring. Here are some warning signs that a person is not yet prepared:

– Blaming others: A person who feels they are victimized and others are at fault is a sure sign of that person not being ready.

– Taking things personally: Like the above, we feel others are directing their “stuff” at us. Another’s drama has nothing to do with us, yet the ill-prepared student will perceive this as an attack and take it in, setting off a host of defensive mechanisms.

– Depression: Depression is a suppression of life force. It is the “flight” portion of the animal “fight or flight” response. Cobra Breath will just create more sadness.

– Rage / Anger: This kind of person is heavily invested in the “fight” part of the “fight or flight” response. Usually this kind of person blames others, though if he or she turns this energy inward, the ensuing self-judgment will begin to affect one’s energy system, mind / emotions, and the physical body, often creating a dangerous and unstable condition. This also holds true for highly manipulative control freaks.

– Attraction to Catharsis: Neo-tantric and the now discredited Primal Scream therapies are disadvantageous practices with regard to Cobra Breath in particular, and attaining self knowledge in general. Karma merely circles the midplane and becomes even more ensconced within the psyche as it is reinforced by the indiscriminate stimulation of this high level energy. This “letting off steam”  feels like a “breakthrough” to  some people, but long term observation tends to reveal that not much changes. Drama Queens and Kings who practice this are poor candidates for Cobra Breath. I am continually amazed at the number of false neo-tantric teachers who recommend this process. Suicides and false memories of childhood trauma have been linked to practicing Primal Scream and catharsis.

– Anxiety / Neurosis / Obsession – Compulsion (OCD): Fear and its compensatory mechanisms bind up large amounts of primal energy. This bound energy has nowhere healthy to go. Adding more energy with the Cobra Breath will just increase the frenzy, tipping an individual into increasingly unhealthy states of being.

Physical Contraindications: Untreated hypertension, chronic headaches, drug addiction, chronic dysmenorrhea (Cobra Breath may increase pain and blood flow), anyone who is physically very ill.

Energy Idiot-Savants: I have heard some faux teachers of Cobra Breath make statements to the effect that “only those who are prepared will be attracted to Cobra Breath.” This New-Ageism is totally fallacious. I certainly have seen persons who are attracted to Cobra Breath significantly harm themselves physically and/or mentally by insisting they are ready when they are authentically not. Usually, an unprepared person will not get much from Cobra Breath. It just doesn’t work for them. I believe this is a kind of built-in protection for the “innocent”, just like a baby would not be able to drive a truck. They’re just not big enough to reach the ignition, steering wheel, and pedals, so nothing happens.

Occasionally though, an “energy idiot-savant” may get their hands on the Cobra Breath. This is a very tricky situation. The “idiot” part has not achieved sufficiently deep inner transformation to be healthy and ready for Cobra Breath Initiation, while the “savant” portion can be surprisingly adept at moving the Kundalini energy. This is a sort of “irresistible force meets an immovable object” conundrum and big drama and potential harm can occur. This can be partly ameliorated by living in an ashram with your teacher, or at least having regular contact, support, and instruction. Thus, attempting to receive Cobra Breath long-distance, or in a one-shot weekend workshop without regular support can either be dangerous or ineffective in the long run.

Reading all the above cautions can make Cobra Breath seem a little scary. If you truly feel anxious about it, you most likely are not ready. If you are interested, make sure you develop a daily practice (see guidelines above) and stick to it. Most people will self-select themselves in or out of this practice, and energy idiot savants can be screened out by the exceptionally perceptive master. Cobra Breath remains one of the most efficacious and profound tools for Awakening available to the dedicated student of the spiritual path.

Level 2 Cobra Breath

The second level of the Cobra Breath opens a rarely used energy channel along the spine and helps to more deeply activate the roots of the Chakras, balance your polarities, activate and transmute karmic patterning, and begin to connect your spiritual pole with your earthly pole.

It is best that a student practice Cobra Breath 1 on a daily basis for at least a year before being initiated into Level 2 Cobra Breath. Some Western teachers push students into Level 2 Cobra Breath with only 40 days of Level 1 practice, often with much drama. This does a disservice to the student as there is inadequate preparation and follow-up support on a daily basis. Merely energetically activating one’s karmic patterns is no guarantee that they will be transmuted.

Chakra Activation

Like the central nervous system, the chakras have their roots in the spine. The second level Cobra Breath stimulates these chakric roots and therefore activates the domains of awareness, emotion, and actions governed by these chakras.  Cobra Breath Level 2 can help clear the karma of the chakras, releasing repressed emotions / inner child issues to be Witnessed and processed.

It is imperative that a practitioner of Cobra Breath 2 have a well defined Witness consciousness and be able to be self-responsible. If not, the Level 2 Cobra Breath will merely exacerbate these karmic patterns, creating more misery and drama in one’s life.

Muscular Armoring

Bioenergetic holding patterns or armoring are the somatic aspect of our repressed emotional karma.  We repress or “hold” back our emotional responses to avoid external reaction to negative emotional triggers. This energy is stored as tension in the body, but is not quiescent. On the contrary, these held patterns will run in the background of our consciousness, affecting our perceptions, mental / emotional states, and behaviors. This results in our patterns being recreated continuously, often creating a victim consciousness which will tend to make us more emotionally reactive and defensive. Cobra Breath will not necessarily clear these patterns without Witness and processing. Some somatic work such as T’ai Chi, Qigong, yoga, Rolfing, and Somatic Release along with Presencing, Conscious BreathWork, or Bioenergetic Analysis, etc. can be helpful in rooting out these patterns thus releasing the stored emotional energy to be acknowledged and understood.

Balance

The 2nd Level Cobra Breath allows solar / cosmic energy to descend into the body through a specific channel, awakening the chakras, and balancing the male and female energies.

There are 5 major energy channels or nadis in the spinal region. Four of these are polar channels (male and female, or yang and yin) and these must be cleared and kept in balance to provide a strong, safe “containment vessel” for true Kundalini to arise. If not, unresolved emotional history can be activated, causing disruptive emotional crises and sometimes physical discomfort or injury.

Contraindications

As in Cobra Breath 1, there are definite prerequisites and contraindication associated with being truly eligible to integrate the power of the Second Level Cobra Breath practice. Some signs that you need to dig deeper before accepting this initiation are:

-Blaming others

-Taking things personally

-Depression

-Rage / Anger

-Anxiety / Neurosis / Obsession – Compulsion

Prerequisites / Guidelines for Sadhus

Some good guidelines to assess your readiness to incorporate Second Level Cobra Breath into your sadhana include:

-Knowing how and beginning to transmute your Karmic patterning

-Accepting Self-Responsibility for your thoughts, emotions, and actions

-Being able to be Present with a well developed Witness Consciousness © 2012 Keith E. Hall and www.inner-tranquility.com. All rights reserved.

Methods of Practicing Cobra Breath

There are four main classes of technique for practicing Cobra Breath. Two require partners; two can be done by oneself. Two are sexual, two are non-sexual.

Solo Practice

Version 1: Probably the most popular, or at least the most practiced, form of Cobra Breath sadhana is to practice Cobra Breath as a meditation technique by oneself. No particular materials are required; one just practices the Cobra Breath as a meditation and internal energy technique for awakening the higher chakric centers, particularly the third eye and the Mouth of God. Fourteen repetitions daily of this breath are recommended, though more can be done as you like.

The indications, in addition to being initiated into Cobra Breath, are that one have a quiet space to practice, be able to sit without excessive movement, know the forward position of Khechari Mudra, and keep the spine very straight. Keeping the spine straight will ease the flow of energy and prevent the re-grooving of karmic patterns.

Version 2: It is possible to do the Cobra Breath sexually by oneself. This can add a bit more energy to the practice, and perhaps accelerate the development of cleansing Kundalini energies. To do this, one self-pleasures to near the edge of orgasm, and then performs the Cobra Breath with a very tight root lock. Generally, one to three repetitions of Cobra Breath are enough to transmute the sexual energy to the higher chakras and prevent ejaculation.

Partner Practice

Yab Yum Pose

Version 1: To practice non-sexually with a partner, one needs to be deep in their energy field. There is a certain level of energy intimacy involved here. A mild form of this practice would be to sit back to back and perform the Cobra Breath with both of the partners synchronizing the breath. Having the spinal nadis in alignment and touching each other tends to create an energetic balance which can deepen one’s experience of this practice. Alternatively, two partners can perform Cobra Breath in the Yab Yum position. An advantage of this position is that partners often can get the first and second chakras physically closer, which can add a bit more energy. When the energy of Cobra Breath reaches the third eye, this position allows to the partners to perform theTantric Kiss, which further stimulates the energy of Ajna.

 

Version 2: This is the version of Babaji’s Cobra Breath that gets all the press. Using Cobra Breath sexually with a partner holds the potential for the highest level of energy generation and transmutation. Yab Yum is the position usually recommended, although any position that allows the spine to be straight and also allows for the performance of the Tantric Kiss will work just fine. Yab Yum has a certain advantage in that the orientation of the position allows for the lower chakras to be aligned with the polarity of the Earth, and the head chakras are aligned with the heavens. This puts the entire spinal system and nadis in a straight line, resulting in an ease of energy flow between the Earthly and Heavenly chakra energies. The electromagnetic fields of Earth and Sky strengthen and cleanse one’s own bio-magnetic field. This practice is best done with a partner of similar spiritual vibration, or at least the ability of both partners to raise and synchronize their vibratory fields. To state this in another way, care should be taken that your partner is at a similar stage of evolution as you are, or surrendered enough to follow the vibratory energies to be in harmony. The same general indications of the other three versions apply here. © 2011 Keith E. Hall. www.inner-tranquility.com All rights reserved.

Mind Hack VIII: Increase Your Memory Ability Using The Mnemonic Technique The Link Method

I once sat in on a class for cognitive psychology and the professor/lecturer started to show the class one of the most basic and easiest to implement methods for mnemonics. It was called the Link Method. I don’t remember the exact steps for the Link Method but I did google up the link method to refresh my mind on what the steps were. I’ll post the list of steps below.


Source 1

The Link and Story Methods

Remembering a simple list

Create a memorable story to help you remember information.

The Link Method is one of the easiest mnemonic techniques available. You use it by making simple associations between items in a list, linking them with a vivid image containing the items. Taking the first image, create a connection between it and the next item (perhaps in your mind smashing them together, putting one on top of the other, or suchlike.) Then move on through the list linking each item with the next.

The Story Method is very similar, linking items together with a memorable story featuring them. The flow of the story and the strength of the images give you the cues for retrieval.

How to Use the Tools:

It is quite possible to remember lists of words using association only. However it is often best to fit the associations into a story: Otherwise by forgetting just one association you can lose the whole of the rest of the list.

Given the fluid structure of this mnemonic (compared with the peg systems explained later in this section) it is important that the images stored in your mind are as vivid as possible. See the introduction to this section for further information on making images strong and memorable.

Where a word you want to remember does not trigger strong images, use a similar word that will remind you of that word.

Example:

You may want to remember this list of counties in the South of England: Avon, Dorset, Somerset, Cornwall, Wiltshire, Devon, Gloucestershire, Hampshire, and Surrey.

You could do this with two approaches, the Link Method and the Story Method:

Remembering with the Link Method

This would rely on a series of images coding information:

  • An AVON (Avon) lady knocking on a heavy oak DOoR (Dorset)
  • The DOoR opening to show a beautiful SuMmER landscape with a SETting sun (Somerset)
  • The setting sun shines down onto a field of CORN (Cornwall)
  • The CORN is so dry it is beginning to WILT (Wiltshire)
  • The WILTing stalks slowly droop onto the tail of the sleeping DEVil (Devon).
  • On the DEVil’s horn a woman has impaled a GLOSsy (Gloucestershire) HAM (Hampshire) when she hit him over the head with it
  • Now the Devil feels SoRRY (Surrey) he bothered her.

Note that there need not be any reason or underlying plot to the sequence of images: only images and the links between images are important.

Remembering with the Story Method

Alternatively you could code this information by imaging the following story vividly:

An AVON lady is walking up a path towards a strange house. She is hot and sweating slightly in the heat of high SUMMER (Somerset). Beside the path someone has planted giant CORN in a WALL (Cornwall), but it’s beginning to WILT (Wiltshire) in the heat. She knocks on the DOoR (Dorset), which is opened by the DEVil (Devon).

In the background she can see a kitchen in which a servant is smearing honey on a HAM (Hampshire), making it GLOSsy (Gloucestershire) and gleam in bright sunlight streaming in through a window. Panicked by seeing the Devil, the Avon lady screams ‘SoRRY’ (Surrey), and dashes back down the path.

Key Points:

The Link Method is probably the most basic memory technique, and is very easy to understand and use. It works by coding information to be remembered into images and then linking these images together

The story technique is very similar. It links these images together into a story. This helps to keep events in a logical order and can improve your ability to remember information if you forget the sequence of images.

Both techniques are very simple to learn. Unfortunately they are both slightly unreliable as it is easy to confuse the order of images or forget images from a sequence.

Body Hack XI: Giving Females 15 Minute Orgasms With Correct Clitoral Position Stimulation And OneTaste

This special technique was talked about in Tim Ferriss’s book “The 4-Hour Body”. All I plan to do is to copy and paste the step-by-step directions on how to do the 15  minute orgasm here. Note: The 15 minute orgasm doesn’t mean a women experiences 15 minutes of nirvana. It actually means that it takes usually about 15 minutes of try and error work to get it right and working.

From Cosmopolitan Found HERE.

Step 1:

First, get undressed and lie on your back using a pillow for neck support. Your legs should be bent and spread, feet together in butterfly position. If this makes your hips uncomfortable on one or both sides, just put pillows underneath the knees.

Your guy should sit to your right side on top of at least two pillows and straddle his bent left leg perpendicularly across her torso, foot flat on the opposite side. (It almost looks as if he’s on top in reverse cowgirl position, except his weight will be to the side of your torso.)

Step 2:

Have him separate your labia and retract the clitoral hood upward with the heel of the palm. The he’ll anchor the clitoris with the right thumb by holding the hood back. He should put his left hand under your butt, two fingers under each cheek, with the thumb resting on (not in) the base of the entrance to the vagina.

Step 3:

The guy should imagine he’s looking directly at the clitoris from between her legs, with the top of the clitoris as 12 o’clock on a clock face. He’ll then find 1 p.m.—ideally a small indentation or pocket between the hood and clitoris—with his right hand’s index finger, and begin stroking using the lightest touch possible and only 1/16″ or so of movement. The tip of the finger is better than the pad, so make sure he cuts his nails beforehand.

Step 4:

Once he finds it, you probably won’t be able to take more than a very light touch. So ask him to stroke like a metronome at a constant speed for periods of two to three minutes, changing speed between periods. Have him keep this up for 15 minutes. You’ll most likely start to feel intense pleasure. If the orgasm contractions are a bit too much, breathe deeply and push out slightly as if you were going to pee. (Don’t worry, as long as you emptied your bladder beforehand, you won’t actually pee.) This will help you extend the plateau and minimize fatigue.

Step 5:

Once the 15 minutes have elapsed, he should do something called “grounding”, which just means applying strong pressure down on the pubic bone and up toward your head, using overlapping hands. (It sort of looks like he’s doing chest compressions, only on your nether regions.) Usually the strongest possible pressure the most pleasurable for ending a session.

We know, it sounds too simple to bring on a 15-minute climax. But the author himself tested it out and spoke with a number of sexperts to perfect the process. Give it a try then report back in the comments section.

Reprinted with permission from THE 4-HOUR BODY by Timothy Ferriss. Copyright © 2010. Published by Crown Archetype/Publishers, a division of Random House, Inc.

Me: I wanted to add that this method is taught by a company located in San Francisco called OneTaste headed by Nicole Daedone. Nicole is very famous for her TedTalk her did which you can watch below.